We simply programmed a top-style loop with a shaker and delayed-clap pattern, along with a four-to-the-floor kick and percussion loop that comes in for the drop. You can use any drums you’ve programmed for this step. In fact, when Ableton first introduced Wavetable in 10.1 this parameter could not be automated and the feature was added later-probably due to popular request! Because of this, it is one of the most powerful parameters for automation in any of Live’s instruments. Increasing this parameter slows down all modulation in the matrix while moving it into the negative speeds all modulation up.
#Fabfilter volcano sweep Patch
The secret ingredient for this patch and its filter automation capabilities is the small Time parameter at the bottom of the modulation matrix. Set LFO 1’s rate to 1.40Hz, leaving all other parameters at their default. Next, map the Oscillator 1 Position (the fader to the right of the waveshape) and the filter Frequency to LFO 1 in the modulation matrix by 58 and 48 respectively. Increase the filter drive for some saturation and set the frequency low, at around 50-60Hz. In the filter section select MS2 mode for the low pass filter and set its slope to 24. Select Saw PW Detune from the Basics wave group and activate the Sub oscillator with -1 selected. First, use Live’s Wavetable instrument to create the chord stab patch.
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